The mellow autumn came, and with it came The promised party, to enjoy its sweets. The corn is cut, the manor full of game; The pointer ranges, and the sportsman beats In russet jacket;--lynx-like is his aim; Full grows his bag, and wonderful his feats. An, nutbrown partridges! An, brilliant pheasants! And ah, ye poachers!--'Tis no sport for peasants.
O, but they say, the tongues of dying men enforce attention, like deep harmony: where words are scarce, they are seldom spent in vain: for they breathe truth, that breathe their words in pain. he, that no more must say, is listened more than they whom youth and ease have taught to gloze; more are men's ends marked, than their lives before: the setting sun, and music at the close, as the last taste of sweets, is sweetest last; writ in rememberance more than things long past
How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica: look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
Sweet were the days when I was all unknown, But when my name was lifted up, the storm Brake on the mountain and I cared not for it. Right well know I that fame is half disfame.
Here life itself, life at its best and healthiest, awaits the caprice of the bullet. Let us see the development of the day. All else may stand over, perhaps for ever. Existence is never so sweet as when it is at hazard.
It was the sick and decaying who despised the body and earth and invented the heavenly realm and the redemptive drops of blood: but they took even these sweet and gloomy poisons from body and earth. They wanted to escape their own misery, and the stars were too far for them.
I am like a tree in a forest. Birds come to the tree, they sit on its branches and eat its fruits. To the birds, the fruit may be sweet or sour or whatever. The birds say sweet or they say sour, but from the tree's point of view, this is just the chattering of birds.
And as to you Death, and you bitter hug of mortality, it is idle to try to alarm me.... And as to you corpse, I think you are good manure, but that does not offend me, I smell the white roses sweet-scented and growing, I reach to the leafy lips — I reach to the polished breasts of melons. And as to you life, I reckon you are the leavings of many deaths, No doubt I have died myself ten thousand times before.
Sweet, sane, still Nakedness in Nature! — ah if poor, sick, prurient humanity in cities might really know you once more! Is not nakedness then indecent? No, not inherently. It is your thought, your sophistication, your fear, your respectability that is indecent. There come moods when these clothes of ours are not only too irksome to wear, but are themselves indecent. Perhaps indeed he or she to whom the free exhilarating ecstasy of nakedness in Nature has never been eligible (and how many thousands there are!) has not really known what purity is — nor what faith or art or health really is.
All music is what awakes from you when you are reminded by the instruments. It is not the violins and the cornets-it is not the oboe nor the beating drums, nor the score of the baritone singer singing his sweet romanza-nor that of the women's chorus; it is nearer and farther than they.