We cannot learn to love other tourists,-the laws of nature forbid it,-but, meditating soberly on the impossibility of their loving us, we may reach some common platform of tolerance, some common exchange of recognition and amenity.
Comes over one an absolute necessity to move. And what is more, to move in some particular direction. A double necessity then: to get on the move, and to know whither.
A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.
Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end, To rust unburnished, not to shine in use! As though to breathe were life!
We love old travelers: we love to hear them prate, drivel and lie; we love them for their asinine vanity, their ability to bore, their luxuriant fertility of imagination, their startling, brilliant, overwhelming mendacity.
When the contemplative mind is a French mind, it is content, for the most part, to contemplate France. When the contemplative mind is an English mind, it is liable to be seized at any moment by an importunate desire to contemplate Morocco or Labrador.
Come, see the north-wind's masonry, Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door. Speeding, the myriad-handed, his wild work So fanciful, so savage, naught cares he For number or proportion.