Come, see the north-wind's masonry, Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door. Speeding, the myriad-handed, his wild work So fanciful, so savage, naught cares he For number or proportion.
When the contemplative mind is a French mind, it is content, for the most part, to contemplate France. When the contemplative mind is an English mind, it is liable to be seized at any moment by an importunate desire to contemplate Morocco or Labrador.
Do you remember the church across the sands? You stood outside and planned to travel the lands, where the pilgrims go. So you packed your world up inside a canvas sack, set off down the highway with your rings and Kerouac. Someone said they saw you in Nepal a long time back. Tell me why you look away, don't you have a word to say?
We cannot learn to love other tourists,-the laws of nature forbid it,-but, meditating soberly on the impossibility of their loving us, we may reach some common platform of tolerance, some common exchange of recognition and amenity.
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.
Adventure upon all the tickets in the lottery, and you lose for certain; and the greater the number of your tickets the nearer your approach to this certainty.
A dominant impulse on encountering beauty is to wish to hold on to it, to possess it and give it weight in one’s life. There is an urge to say, ‘I was here, I saw this and it mattered to me.
What should I have known or written had I been a quiet, mercantile politician or a lord in waiting? A man must travel, and turmoil, or there is no existence.
A danger of travel is that we see things at the wrong time, before we have had a chance to build up the necessary receptivity and when new information is therefore as useless and fugitive as necklace beads without a connecting chain.