The unlucky hand dealt to clear and precise writers is that people assume they are superficial and so do not go to any trouble inreading them: and the lucky hand dealt to unclear ones is that the reader does go to some trouble and then attributes the pleasure he experiences in his own zeal to them.
Who's in or out, who moves the grand machine, Nor stirs my curiosity, or spleen; Secrets of state no more I wish to know Than secret movements of a puppet-show; Let but the puppets move, I've my desire, Unseen the hand which guides the master wire.
A radical is one of whom people say ''He goes too far.'' A conservative, on the other hand, is one who ''doesn't go far enough.'' Then there is the reactionary, ''one who doesn't go at all.'' All these terms are more or less objectionable, wherefore we have
Has anyone...any distinct notion of what poets of a stronger age understood by the word inspiration? ... There is an ecstasy such that the immese strain of it is sometimes relaxed by a flood of tears, along with which one's steps either rush or involuntarily lag, alternately. There is the feeling that one is completely out of hand, with the very distinct consciousness of an endless number of fine thrills and quiverings to the very toes... Everything happens quite involuntarily, as if in a tempestuous outburst of freedom, of absoluteness, of power and divinity.
It is a fine thing to establish one's own religion in one's heart, not to be dependent on tradition and second-hand ideals. Life will seem to you, later, not a lesser, but a greater thing.
If I dropped a tear upon your hand, may it wither it up! If I spoke a gentle word in your hearing, may it deafen you! If I touched you with my lips, may the touch be poison to you! A curse upon this roof that gave me shelter! Sorrow and shame upon your head! Ruin upon all belonging to you!