I want to start two institutions, one in Madras and one in Calcutta, to carry out my plan; and that plan briefly is to bring the Vedantic ideals into the everyday practical life of the saint or the sinner, of the sage or the ignoramus, of the Brahmin or the Pariah.
Republicans in Congress have two choices here: They can act responsibly, and pay America’s bills; or they can act irresponsibly, and put America through another economic crisis. But they will not collect a ransom in exchange for not crashing the American economy.
I'm at that age where I watch such things with two minds, one that cackles at these capers and another that never gets much beyond a rather jaded and self-conscious smile, like the Mona Lisa.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
I am no Platonist, I am nothing at all; but I would sooner be a Paulician, Manichean, Spinozist, Gentile, Pyrrhonian, Zoroastrian, than one of the seventy-two villainous sects who are tearing each other to pieces for the love of the Lord and hatred of each other.
Nothing could be smarter, more splendid, more brilliant, better drawn up than two armies. Trumpets, fifes, hautboys, drums, cannons, formed a harmony such as never been heard in hell.
Pray tell us, what's your favorite number?"... "Shiva jumped up to the board, uninvited, and wrote 10,213,223"... "And pray, why would this number interest us?" "It is the only number that describes itself when you read it, 'One zero, two ones, three twos, two threes'.
There are two kinds of rebellion. The first is one in which the slave demands something that the tyrant has got. The second is one in which he demands something that the tyrant has not got.
It is the eternal struggle between these two principles - right and wrong. They are the two principles that have stood face to face from the beginning of time and will ever continue to struggle. It is the same spirit that says, "You work and toil and earn bread, and I'll eat it."
Everything I loved had been dead for two centuries - or, as in the case of Graeco-Roman classicism, for two milenniums. I am never a part of anything around me - in everything I am an outsider. Should I find it possible to crawl backward through the Halls of Time to that age which is nearest my own fancy, I should doubtless be bawled out of the coffee-houses for heresy in religion, or else lampooned by John Dennis till I found refuge in the deep, silent Thames, that covers many another unfortunate.
Whenever two particles come together, they are held by a certain attraction; and there will come a time when those particles will separate. This is the eternal law. So, wherever there is a body - either grosser or finer, either in heaven or on earth - death will overcome it.
I carry two traditional pipes and I sing my songs and pray that us as human beings treat each other with respect. So when it came to trying to portray a connection on screen, that's what you see.
Every human being should know two languages: the language of society and the language of signs. One serves to communicate with other people, the other serves to understand God's messages.