The great misfortune of the modern English is not at all that they are more boastful than other people (they are not); it is that they are boastful about those particular things which nobody can boast of without losing them.
It is the decisive people who have become civilised; it is the indecisive, otherwise called the higher sceptics, or the idealistic doubters, who have remained barbarians.
Who would condescend to strike down the mere things that he does not fear? Who would debase himself to be merely brave, like any common prizefighter? Who would stoop to be fearless--like a tree? Fight the thing that you fear. You remember the old tale of the English clergyman who gave the last rites to the brigand of Sicily, and how on his death-bed the great robber said, 'I can give you no money, but I can give you advice for a lifetime: your thumb on the blade, and strike upwards.' So I say to you, strike upwards, if you strike at the stars.
The disadvantage of men not knowing the past is that they do not know the present. History is a hill or high point of vantage, from which alone men see the town in which they live or the age in which they are living.
To do Mohammed justice, his main attack was against the idolatries of Asia. Only he thought, just as the Arians did and just as the Unitarians do, that he could attack them better with a greater approximation to plain theism. What distinguishes his heresy from anything like an Arian or Albigensian heresy is that, as it sprang up on the borders of Christendom, it could spread outwards to a barbaric world.
Every great literature has always been allegorical - allegorical of some view of the whole universe. The 'Iliad' is only great because all life is a battle, the 'Odyssey' because all life is a journey, the Book of Job because all life is a riddle.
It seems to me,' said the other, 'That you are simply seeking a pretext to insult the Marquis.' By George!' said Syme facing round and looking at him, 'What a clever chap you are!
I believe what really happens in history is this: the old man is always wrong; and the young people are always wrong about what is wrong with him. The practical form it takes is this: that, while the old man may stand by some stupid custom, the young man always attacks it with some theory that turns out to be equally stupid.
There are two kinds of charlatan: the man who is called a charlatan, and the man who really is one. The first is the quack who cures you; the second is the highly qualified person who doesn't.
I have formed a very clear conception of patriotism. I have generally found it thrust into the foreground by some fellow who has something to hide in the background. I have seen a great deal of patriotism; and I have generally found it the last refuge of the scoundrel.
The most valuable book we can read, about countries we have visited, is that which recalls to us something that we did notice, but did not notice that we noticed.
The artistic temperament is a disease that affects amateurs. Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.