I would meet you upon this honestly. I that was near your heart was removed therefrom To lose beauty in terror, terror in inquisition. I have lost my passion: why should I need to keep it Since what is kept must be adulterated? I have lost my sight, smell, hearing, taste and touch: How should I use them for your closer contact?
It's harder to confess the sin that no one believes in Than the crime that everyone can appreciate. For the crime is in relation to the law And the sin is in relation to the sinner.
It is in fact a part of the function of education to help us escape, not from our own time - for we are bound by that - but from the intellectual and emotional limitations of our time.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
But the Church cannot be, in any political sense, either conservative or liberal, or revolutionary. Conservatism is too often conservation of the wrong things: liberalism a relaxation of discipline; revolution a denial of the permanent things.