We have no adequate conception of the perfection of the ancient tragic dance. The pleasure which the greeks received from it had for its basis difference; & the more unfit the vehicle, the more lively was the curiosity & intense the delights at seeing the difficulty overcome.
I must reject fluids and ethers of all kinds, magnetical, electrical, and universal, to whatever quintessential thinness they may be treble distilled, and as it were super-substantiated.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
...in consequence of the film of familiarity and selfish solicitude, we have eyes yet see not, ears that hear not, and hearts that neither feel nor understand.
A poet ought not to pick nature's pocket. Let him borrow, and so borrow as to repay by the very act of borrowing. Examine nature accurately, but write from recollection, and trust more to the imagination than the memory.
If a man could pass through Paradise in a dream, and have a flower presented to him as a pledge that his soul had really been there, and if he found that flower in his hand when he awake - Aye, what then?
For I often please myself with the fancy, now that I may have saved from oblivion the only striking passage in a whole volume, and now that I may have attracted notice to a writer undeservedly forgotten.
It has been observed before that images, however beautiful, though faithfully copied from nature, and as accurately represented in words, do not of themselves characterize the poet. They become proofs of original genius only as far as they are modified by a predominant passion; or by associated thoughts or images awakened by that passion; or when they have the effect of reducing multitude to unity, or succession to an instant; or lastly, when a human and intellectual life is transferred to them from the poet's spirit.