I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.
The politician who once had to learn to flatter Kings has now to learn how to fascinate, amuse, coax, humbug, frighten, or otherwise strike the fancy of the electorate.
The thief who is in prison is not necessarily more dishonest than his fellows at large, but mostly one who, through ignorance or stupidity [or racism or poverty! - Draffan] steals in a way that is not customary. He snatches a loaf from the baker's counter and is promptly run into gaol. Another man snatches bread from the table of hundreds of widows and orphans and similar credulous souls who do not know the ways of company promoters; and, as likely as not, he is run into Parliament.
A man's behaviour may be quite harmless and even beneficial, when he ismorally behaving like a scoundrel. And he may do great harm when he is morally acting on the highest principles.
That is the injustice of a woman's lot. A woman has to bring up her children; and that means to restrain them, to deny them things they want, to set them tasks, to punish them when they do wrong, to do all the unpleasant things. And then the father, who has nothing to do but pet them and spoil them, comes in when all her work is done and steals their affection from her.