That, chang'd thro' all and yet in all the same, Great in the Earth as in th' Ætherial frame, Warms in the Sun, refreshes in the Breeze, Glows in the Stars, and blossoms in the Trees... Breathes in our soul, informs our mortal part... Submit - in this, or any other Sphere, Secure to be as blest as thou canst bear. All Nature is but Art, unknown to thee; All Chance, Direction which thou canst not see; All Discord, Harmony not understood... All partial Evil, universal Good.
I think a good deal may be said to extenuate the fault of bad Poets. What we call a Genius, is hard to be distinguish'd by a man himself, from a strong inclination: and if his genius be ever so great, he can not at first discover it any other way, than by giving way to that prevalent propensity which renders him the more liable to be mistaken.
False happiness is like false money; it passes for a time as well as the true, and serves some ordinary occasions; but when it is brought to the touch, we find the lightness and alloy, and feel the loss.
Plays round the head, but comes not to the heart. One self-approving hour whole years outweighs Of stupid starers and of loud huzzas; And more true joy Marcellus exil'd feels Than Cæsar with a senate at his heels. In parts superior what advantage lies? Tell (for you can) what is it to be wise? 'T is but to know how little can be known; To see all others' faults, and feel our own.
Trace Science, then, with Modesty thy guide,
First strip off all her equipage of Pride,
Deduct what is but Vanity or Dress,
Or Learning's Luxury or idleness,
Or tricks, to show the stretch of the human brain
Mere curious pleasure or ingenious pain.
Whether the darken'd room to muse invite, Or whiten'd wall provoke the skew'r to write; In durance, exile, Bedlam, or the Mint, Like Lee or Budgel I will rhyme and print.