Hope springs eternal in the human breast;
Man never Is, but always To be Blest.
The soul, uneasy, and confin'd from home,
Rest and expatiates in a life to come.
Lo, the poor Indian! whose untutor'd mind
Sees God in clouds, or hears him in the wind;
His soul proud Science never taught to stray
Far as the solar walk or milky way;
Yet simple Nature to his hope has giv'n,
Behind the cloud-topp'd hill, an humbler heav'n.
Whether the darken'd room to muse invite, Or whiten'd wall provoke the skew'r to write; In durance, exile, Bedlam, or the Mint, Like Lee or Budgel I will rhyme and print.
The search of our future being is but a needless, anxious, and haste to be knowing, sooner than we can, what, without all this solicitude, we shall know a little later.
What woeful stuff this madrigal would be, In some starved hackney sonneteer, or me! But let a lord once own the happy lines, How the wit brightens! how the style refines!
Now hollow fires burn out to black,
And lights are fluttering low:
Square your shoulders, lift your pack
And leave your friends and go.
O never fear, lads, naught's to dread,
Look not to left nor right:
In all the endless road you tread
There's nothing but the night.
I believe it is no wrong Observation, that Persons of Genius, and those who are most capable of Art, are always fond of Nature, as such are chiefly sensible, that all Art consists in the Imitation and Study of Nature. On the contrary, People of the common Level of Understanding are principally delighted with the Little Niceties and Fantastical Operations of Art, and constantly think that finest which is least Natural.
Silence! coeval with eternity! thou wert ere Nature's self began to be; thine was the sway ere heaven was formed on earth, ere fruitful thought conceived creation's birth.