I can forgive even that wrong of wrongs,
Those undreamt accidents that have made me
Seeing that Fame has perished this long while,
Being but a part of ancient ceremony
Notorious, till all my priceless things
Are but a post the passing dogs defile.
Acquaintance; companion;
One dear brilliant woman;
The best-endowed, the elect,
All by their youth undone,
All, all, by that inhuman
Bitter glory wrecked.
Literature is always personal, always one man's vision of the world, one man's experience, and it can only be popular when men are ready to welcome the visions of others.
I would that we were, my beloved, white birds on the foam of the sea!
We tire of the flame of the meteor, before it can fadeand flee;
And the flame of the blue star of twilight, hung low on the rim of the sky,
Has awaked in our hearts, my beloved, a sadness that may not die.
John Synge, I and Augusta Gregory, thought All that we did, all that we said or sang Must come from contact with the soil, from that Contact everything Antaeus-like grew strong.
now
I bring full-flavoured wine out of a barrel found
Where seven Ephesian topers slept and never knew
When Alexander's empire passed, they slept so sound.
Shakespeare cared little for the State, the source of all our judgments, apart from its shows and splendours, its turmoils and battles, its flamings out of the uncivilized heart.
Is it not certain that the Creator yawns in earthquake and thunder and other popular displays, but toils in rounding the delicate spiral of a shell? -Yeats, The Trembling of the Veil
All things uncomely and broken, all things worn out and old The cry of a child by the roadway, the creak of a lumbering cart, The heavy steps of the plowman, splashing the wintry mold, Are wronging your image that blossoms a rose in the deeps of my heart.
What shall I do with this absurdity- O heart, O troubled heart-this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye That more expected the impossible.
Because this age and the next age
Engender in the ditch,
No man can know a happy man
From any passing wretch,
If Folly link with Elegance
No man knows which is which.
That is no country for old men. The young In one another's arms, birds in the trees - Those dying generations-at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unaging intellect.