When all is said and done, how do we know but that our own unreason may be better than another's truth? for it has been warmed on our hearths and in our souls, and is ready for the wild bees of truth to hive in it, and make their sweet honey.
I have observed dreams and visions very carefully, and am now certain that the imagination has some way of lighting on the truth that the reason has not, and that its commandments, delivered when the body is still and the reason silent, are the most binding we can ever know.
All the great masters have understood that there cannot be great art without the little limited life of the fable, which is always better the simpler it is, and the rich, far-wandering, many-imaged life of the half-seen world beyond it
Out-worn heart, in a time out-worn,
Come clear of the nets of wrong and right;
Laugh, heart, again in the grey twilight,
Sigh, heart, again in the dew of the morn.
I dreamed that I stood in a valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came stealthily out of the wood
With her cloud-pale eyelids falling on dream-dimmed eyes.
A daughter of a King of Ireland, heard A voice singing on a May Eve like this, And followed half awake and half asleep, Until she came into the Land of Faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue. And she is still there, busied with a dance Deep in the dewy shadow of a wood, Or where stars walk upon a mountain-top.