Why had we come to the moon? The thing presented itself to me as a perplexing problem. What is this spirit in man that urges him for ever to depart from happiness and security, to toil, to place himself in danger, to risk an even a reasonable certainty of death? It dawned upon me that there in the moon as a thing I ought always to have known, that man is not made to go about safe and comfortable and well fed and amused. ... against his interest, against his happiness, he is constantly being driven to do unreasonable things. Some force not himself impels him, and he must go.
The true sweetness of chess, if it ever can be sweet, is to see a victory snatched, by some happy impertinence, out of the shadow of apparently irrevocable disaster.
By this time I was no longer very much terrified or very miserable. I had, as it were, passed the limit of terror and despair. I felt now that my life was practically lost, and that persuasion made me capable of daring anything
When the mind grapples with a great and intricate problem, it makes its advances step by step, with but little realization of the gains it has made, until suddenly, with an effect of abrupt illumination, it realizes its victory.
What, unless biological science is a mass of errors, is the cause of human intelligence and vigour? Hardship and freedom: conditions under which the active, strong, and subtle survive and the weaker go to the wall; conditions that put a premium upon the loyal alliance of capable men, upon self-restraint, patience, and decision. And the institution of the family, and the emotions that arise therein, the fierce jealousy, the tenderness for offspring, parental self-devotion, all found their justification and support in the imminent dangers of the young.
Now they stumbled in the shackles of humanity, lived in a fear that never died, fretted by a law they could not understand; their mock-human existence began in an agony, was one long internal struggle, one long dread of Moreau - and for what? It was the wantonness that stirred me.
[A novel by Henry James] is like a church lit but without a congregation to distract you, with every light and line focused on the high altar. And on the altar, very reverently place, intensely there, is a dead kitten, an egg-shell, a bit of string.