What verse is for the poet, dialectical thinking is for the philosopher. He grasps for it in order to get hold of his own enchantment, in order to perpetuate it.
It is, indeed, a fact that, in the midst of society and sociability every evil inclination has to place itself under such great restraint, don so many masks, lay itself so often on the procrustean bed of virtue, that one could well speak of a martyrdom of the evil man. In solitude all this falls away. He who is evil is at his most evil in solitude: which is where he is at his best - and thus to the eye of him who sees everywhere only a spectacle also at his most beautiful.
Very early in my life I took the question of the relation of art to truth seriously: even now I stand in holy dread in the face of this discordance. My first book was devoted to it. The Birth of Tragedy believes in art on the background of another belief
Here we also see: what this divinity lacks is not only a sense of shame-and there are also other reasons for conjecturing that in several respects all of the gods could learn from us humans. We humans are-more humane.
Good deeds shun the light as anxiously as evil deeds: the latter fear that disclosure will bring on pain (as punishment), while the former fear that disclosure will take away pleasure (that pure pleasure, that pleasure per se, which immediately ceases once the vanity's satisfaction is added).
Astrology presupposes that the heavenly bodies are regulated in their movements in harmony with the destiny of mortals: the moral man presupposes that that which concerns himself most nearly must also be the heart and soul of things.
With the strength of his spiritual sight and insight the distance, and as it were the space, around man continually expands: his world grows deeper, ever new stars, ever new images and enigmas come into view.