About what we neither know nor feel precisely while awake-whether we have a good or a bad conscience toward a certain person-our dreams instruct us fully and unambiguously.
The first opinion that occurs to us when we are suddenly asked about something is usually not our own but only the current one pertaining to our class, position, or parentage; our own opinions seldom swim on the surface.
When one is young, one venerates and despises without that art of nuances which constitutes the best gain of life, and it is only fair that one has to pay dearly for having assaulted men and things in this manner with Yes and No. Everything is arranged so that the worst of tastes, the taste for the unconditional, should be cruelly fooled and abused until a man learns to put a little art into his feelings and rather to risk trying even what is artificial — as the real artists of life do.
The hour when you say, "What does my happiness matter? It is poverty and filth, and a wretched complacency. Yet my happiness should justify existence itself!
It is regrettable that a Dostoyevsky did not live near this most interesting of all decadents (Jesus Christ) - I mean someone who would have known how to sense the very stirring charm of such a mixture of the sublime, the sickly, and the childlike.
But thus I counsel you, my friends: Mistrust all in whom the impulse to punish is powerful. They are people of a low sort and stock; the hangmen and the bloodhound look out of their faces. Mistrust all who talk much of their justice! Verily, their souls lack more than honey. And when they call themselves the good and the just, do not forget that they would be pharisees, if only they had-power.
Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
Free will appears unfettered, deliberate; it is boundlessly free, wandering, the spirit. But fate is a necessity; unless we believe that world history is a dream-error, the unspeakable sorrows of mankind fantasies, and that we ourselves are but the toys of our fantasies. Fate is the boundless force of opposition against free will. Free will without fate is just as unthinkable as spirit without reality, good without evil. Only antithesis creates the quality.
I devote myself to what I love the most, and for this very reason I hesitate to designate it with lofty words: I do not want to risk believing that it is a sublime compulsion, a law, which I obey: I love what I love the most too much to wish to appear to it as one compelled.