The feelings I don't have I don't have. The feelings I don't have, I won't say I have. The felings you say you have, you don't have. The feelings you would like us both to have, we neither of us have.
With a woman, a man always wants to let himself go. And it is precisely with a woman that he should never let himself go ... but stick to his innermost belief and meet her just there.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
When we really want to go for something better, we shall smash the old. Until then, any sort of proposal, or making proposals, is no more than a tiresome game for self-important people.
The love between man and woman is the greatest and most complete passion the world will ever see, because it is dual, because it is of two opposing kinds.
If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I'd go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the 'Hallelujah Chorus'.
When I went to the scientific doctor
I realised what a lust there was in him to wreak his so-called science on me
and reduce me to the level of a thing.
So I said: Good-morning! and left him.
She is my first, great love. She was a wonderful, rare woman - you do not know; as strong, and steadfast, and generous as the sun. She could be as swift as a white whiplash, and as kind and gentle as warm rain, and as steadfast as the irreducible earth beneath us.