Do not turn the superior eye of critical passivity upon these efforts .... We must not be ambitious. We cannot aspire to masterpieces. We may content ourselves with a joy ride in a paint-box.
From Stettin in the Baltic to Trieste in the Atlantic, an iron curtain has descended across the Continent. Behind the line lie all the capitals of the ancient states of Central and Eastern Europe... All these famous cities and the populations around them lie in what I must call the Soviet sphere, and all are subject in one form or another, not only to Soviet influence but to a very high and, in many cases, increasing measure of control from Moscow.
Millions who could not follow closely or accurately the main events of the War looked day after day in the papers for the fortunes of Mafeking, and when finally the news of its relief was flashed throughout the world, the streets of London became impassable, and the floods of sterling, cockney patriotism were released in such a deluge of unbridled, delirious joy as was never witnessed again till Armistace Night, 1918.
Painting is the same kind of problem as unfolding a long, sustained interlocked argument... It is a proposition commanded by a single unity of conception.
Why should there not be a European group which could give a sense of enlarged patriotism and common citizenship to the distracted peoples of this turbulent and mighty continent? And why should it not take its rightful place with other great groupings and help to shape the onward destinies of men?
There is no sphere of human thought in which it is easier to show superficial cleverness and the appearance of superior wisdom than in discussing questions of currency and exchange