...every offensive lost its force as it proceeded. It was like throwing a bucket of water over the floor. It first rushed forward, then soaked forward, and finally stopped altogether until another bucket could be brought.
The harder we try to catch hold of the moment, to seize a pleasant sensation..., the more elusive it becomes... It is like trying to clutch water in one's hands - the harder one grips, the faster it slips through one's fingers.
The talker has found a hearer but not a listener; and though he may talk his very best for his own sake, you will find that his mental movements are erratic: they have no fixed centre and no definite object. His talk is like the water of a canal whose banks have given way, which rolls aimlessly hither and thither, without fulfilling any useful function, though it is the same water which was so helpful and serviceable, when it was confined within clearly marked limits by the restraining force of its earthy boundaries.
There was a piece of ornamental water immediately below the parapet, on the other side, into which Mr. James Harthouse had a very strong inclination to pitch Mr. Thomas Gradgrind Junior.
How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale! How cheerfully he seems to grin, How neatly he spreads his claws, And welcomes little fishes in, With gently smiling jaws!
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.