For a writer you have to be interested in different cultures, different backgrounds. You are not there to write only about your village. You're there to show a bit of your village, but also to understand other villages.
I liked radio, or podcasting. I like talking minus the camera and the script part. All those mediums are different, and they are all different with their pluses and minuses. I would say the podcast is my favorite because I like the freedom of podcasting. With podcasting you can really mess around with the form and the format. The pace of radio is very fast. Boom, boom, with a little six minute segment, then on to the next thing. With podcasts you can talk about something for 25 minutes if you like - there is a lot of artistic freedom with it.
I set out to really build this universe of interfaith connectedness, where people could see that other people in different parts of the world are very much like them.
The modern world seems to have no notion of preserving different things side by side, of allowing its proper and proportionate place to each, of saving the whole varied heritage of culture. It has no notion except that of simplifying something by destroying nearly everything.
For a writer you have to be interested in different cultures, different backgrounds. You are not there to write only about your village. You're there to show a bit of your village, but also to understand other villages.
While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed.