With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.
Iraq is sort of a situation where you've got a guy who drove the bus into the ditch. You obviously have to get the bus out of the ditch, and that's not easy to do, although you probably should fire the driver.
it is not wise to keep the fire going under a slander unless you can get some large advantage out of keeping it alive. Few slanders can stand the wear of silence.
We fetch fire and water, run about all day among the shops and markets, and get our clothes and shoes made and mended, and are thevictims of these details, and once in a fortnight we arrive perhaps at a rational moment.
Examples are cited by soldiers, of men who have seen the cannon pointed, and the fire given to it, and who have stepped aside from he path of the ball. The terrors of the storm are chiefly confined to the parlour and the cabin.
For any two portions of fire, small or great, will exhibit the same ratio of solid to void; but the upward movement of the greater is quicker than that of the less, just as the downward movement of a mass of gold or lead, or of any other body endowed with weight, is quicker in proportion to its size.