Whose property is my body? Probably mine. I so regard it. If I experiment with it, who must be answerable? I, not the State. If I choose injudiciously, does the state die? Oh, no.
The more opposition there is, the better. Does a river acquire velocity unless there is resistance? The newer and better a thing is, the more opposition I will meet with at the outset. It is opposition which foretells success. Where there is no opposition there is no success either.
Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
In the search [of a deal], we adopt the same attitude one might find appropriate in looking for a spouse: It pays to be active, interested, and open-minded, but it does not pay to be in a hurry.
The test of having ceased to be an idolater is: "When you say 'I', does the body come into your thought or not? If it does, then you are still a worshipper of idols."
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.
If I have not been exposed and am not in any danger of pursuit. But I have been exposed, I am pursued - by myself! That is a pursuer that does not readily let go.