To become reconciled to a friend with whom you have broken, is a form of weakness; and you pay the penalty of it when he takes the first opportunity of doing precisely the very thing which brought about the breach.
Don't Let Him Know is a rich, evocative and brilliantly told tale of family, of loyalties, and of love that must stay secret. Sandip Roy has broken new ground in this tale of the modern Indian family. A lovely read
I'm one-hundred-fifty miles off Cape Horn, both autopilots are broken, and my boat is drifting toward one of the nastiest chunks of ocean on the face of the earth.
As the former dissident Vladimir Bukovsky once remarked – referring to the Russian proverb to the effect that you cannot make an omelette without breaking eggs – he had seen plenty of broken eggs, but never tasted any omelette.
In the firm expectation that when London shall be a habitation of bitterns, when St. Paul and Westminster Abbey shall stand shapeless and nameless ruins in the midst of an unpeopled marsh, when the piers of Waterloo Bridge shall become the nuclei of islets of reeds and osiers, and cast the jagged shadows of their broken arches on the solitary stream, some Transatlantic commentator will be weighing in the scales of some new and now unimagined system of criticism the respective merits of the Bells and the Fudges and their historians.
There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.
Ah, broken is the golden bowl! the spirit flown forever! Let the bell toll!-a saintly soul floats on the Stygian river; And, Guy de Vere, hast thou no tear?-weep now or nevermore!
Written things are not for speech; their form is literary; they are stiff, inflexible, and will not lend themselves to happy and effective delivery with the tongue-where their purpose is to merely entertain, not instruct; they have to be limbered up, broken up, colloquialized and turned into common forms of premeditated talk-otherwise they will bore the house and not entertain it.
Not by way of the forced and worn formula of Romaticism, but throught the closeness of an imagination that has never broken kinship with nature. Art must accept such gifts, and revaluate the giver.