I sat on the piano bench next to my mother in church. Something happened before I set foot on this planet. I was crawling around inside of her. She was a church pianist. My dad was a brilliant singer. I was hearing it.
I kind of knew something was going on, and my older brothers and sisters were singing be-boppish kinds of stuff in the living room, and I was listening. I started singing, warmer than a summer night, at seven or eight years old.
Jazz brought this sense of democracy where four guys come together and your name may be on the marquee, but in this moment, when you're the soloist, it's you, and we follow you. We follow you.
I discovered is that I have a couple of valves that were leaky and had been giving, gave me a problem then. But I hadn't noticed anything up until then.A couple of incidents of shortness of breath and checked myself into a hospital, but that one in France really sat me down for a few minutes - a very few minutes, because seven days later I was in the studio, and eight days later, I was no the stage.
Al and Tommy and I sharing the biggest laugh because it was predicted by everything we did in the first three or four records in my career. It was predicted in the grooves that we would be here sometime later on down the road.
These songs are old friends I have entertained myself with when I'm washing the dishes, driving to the store and walking down the aisles. The ones that you sing when you're driving in the car and as a singer you always go back to them.
Once you discover that you can, then you must. And it's not easy. You have to take direct steps. You really have to count your blessings and you have to make a decided effort to not get seduced by the blues.
I was age six or seven, and singing, "Jesus wants me for her son, beep, to shine for him," and people smiled and pinched my cheeks till the blood vessels broke, and I knew I was doing something right.
My dad graduated seminary there, and so did (sounds like) Mark Kimball's grandfather. They sang in a quartet together, my dad and Mark Kimball's grandfather.
That's the way I try to live. I think it's the only way for human beings at this point in our evolution as souls, where everyone in their lifetime is going through stuff.
I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
It's all background experience and listening and exposure. That's why it's so important for people today and during any time to expose your children to lots of different kinds of things.