I sat on the piano bench next to my mother in church. Something happened before I set foot on this planet. I was crawling around inside of her. She was a church pianist. My dad was a brilliant singer. I was hearing it.
My dad graduated seminary there, and so did (sounds like) Mark Kimball's grandfather. They sang in a quartet together, my dad and Mark Kimball's grandfather.
Al and Tommy and I sharing the biggest laugh because it was predicted by everything we did in the first three or four records in my career. It was predicted in the grooves that we would be here sometime later on down the road.
I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
Obviously given good health, and a continuing audience and a record company that allows me to do music. So given those things yes, I'm introducing some new music that people haven't really heard me do in quite this fashion.
Jazz brought this sense of democracy where four guys come together and your name may be on the marquee, but in this moment, when you're the soloist, it's you, and we follow you. We follow you.
It's all background experience and listening and exposure. That's why it's so important for people today and during any time to expose your children to lots of different kinds of things.
I think a singer is an athlete. I've always tried to stay fit. Until my knee said, "Uh-uh," I was jogging. Then I started walking. They don't like walking a lot, but I'll push them.
I was age six or seven, and singing, "Jesus wants me for her son, beep, to shine for him," and people smiled and pinched my cheeks till the blood vessels broke, and I knew I was doing something right.
That's the way I try to live. I think it's the only way for human beings at this point in our evolution as souls, where everyone in their lifetime is going through stuff.
I kind of knew something was going on, and my older brothers and sisters were singing be-boppish kinds of stuff in the living room, and I was listening. I started singing, warmer than a summer night, at seven or eight years old.
To sing the ballad with a knowingness about what you are talking about. If it's somebody else's lyric, and the message is a little unusual for you, it requires that you learn that new message.