Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
Every time I hit the stage I try to take something from it. There are a lot of shows and opportunities to be seen like that. I like to just take all of them and allow them to help me build.
Quid est ergo tempus? Si nemo ex me quaerat, scio; si quaerenti explicare velim, nescio. What, then, is time? I know well enough what it is, provided that nobodyasksme; but if Iamasked what it is and try to explain, I am baffled.
The unknown is not measurable by the known. Time cannot measure the timeless, the eternal, that immensity which has no beginning and no end... when we try to measure something which is not measurable, we only get caught in words.
Every second of the search is an encounter with God. When I have been truly searching for my treasure, every day has been luminous...I've discovered things along the way that I never would have seen had I not had the courage to try things that seemed impossible for a shepherd to achieve.
With a popular show, you know that there's expectations there, so that's a little nerve-wracking when you're new and you're just trying to find your legs on something, but it's exciting, too, because that's what we work so hard for.
Try to do unto others as you would have them do to you, and do not be discouraged if they fail sometimes. It is much better that they should fail than you should.
But I've been there and done that. I'm not trying to prove anything to anybody, and if somebody wants me to come, if they can afford what I ask, it's not as much as Madonna makes; not that I want what Madonna makes, but I was saying.