Those who can bring themselves to renounce wealth, position and power accruing from a social system based on violence and putting a premium on acquisitiveness, and to identify themselves in some real fashion with the struggle of the masses toward the light, may help in a measure - more, doubtless, by life than by words - to devise a more excellent way, a technique of social progress less crude, brutal, costly and slow than mankind has yet evolved.
I believe in the holy Koran. It says we declare ourselves to be righteous Muslims and do not take part in wars, or in no way fashion or form take the lives of humans unless it's a holy war declared by God himself.
I have heard with admiring submission the experience of the lady who declared that the sense of being well dressed gives a feeling of inward tranquility which religion is powerless to bestow.
So in the Libyan fable it is told That once an eagle, stricken with a dart, Said, when he saw the fashion of the shaft: With our own feathers, not by others' hands, Are we now smitten.
We cut the throat of a calf and hang it up by the heels to bleed to death so that our veal cutlet may be white; we nail geese to a board and cram them with food because we like the taste of liver disease; we tear birds to pieces to decorate our women's hats; we mutilate domestic animals for no reason at all except to follow an instinctively cruel fashion; and we connive at the most abominable tortures in the hope of discovering some magical cure for our own diseases by them.
Moral values includes the immorality of 45 million uninsured or the immorality of working people who are having trouble raising a family despite working full-time. That has to be part of the moral equation. And if we are able to frame things in that fashion, then I think we can be successful.
The fashions we call English in Paris are French in London, and vice versa. Franco-British hostility vanishes when it comes to questions of words and clothing. God save the King is a tune composed by Lully for a chorus in a play by Racine.
Marriage is not comfortable and harmonious. Rather it is a place of individuation where a person rubs up against oneself and against the partner, bumps up against the person in love and in rejection, and in this fashion learns to know oneself, the world, good and evil, the heights and the depths.
Alone, and without any reference to his neighbours, without any interference, the artist can fashion a beautiful thing; and if he does not do it solely for his own pleasure, he is not an artist at all.