I was lying in bed this morning and saying to myself, 'the remarkable thing about Ethel is her stupendous self-satisfaction' when in came your letter to confirm this profound psychological observation. How delighted I was!
When the first-rate author wants an exquisite heroine or a lovely morning, he finds that all the superlatives have been worn shoddy by his inferiors. It should be a rule that bad writers must start with plain heroines and ordinary mornings, and, if they are able, work up to something better.
Those who every morning plan the transactions of the day and follow out that plan carry a thread that will guide them through the labyrinth of the most busy life. The orderly arrangement of their time is like a ray of light which darts itself through all their occupations. But where no plan is laid, where the disposal of time is surrendered merely to the chance of incidents, chaos will soon reign.
So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea.
I confess . . . that I am not myself very much concerned with the question of influence, or with those publicists who have impressed their names upon the public by catching the morning tide and rowing very vast in the direction in which the current was flowing; but rather that there should always be a few writers preoccupied in penetrating to the core of the matter, in trying to arrive at the truth and to set it forth, without too much hope, without ambition to alter the immediate course of affairs, and without being downcast or defeated when nothing appears to ensue.
There was a stately drama writ
By the hand that peopled the earth and air,
And set the stars in the infinite,
And made night gorgeous and morning fair;
And all that had sense to reason knew
That bloody drama must be gone through.
Some sat and watched how the action veered--
Waited, profited, trembled, cheered--
We saw not clearly nor understood,
But yielding ourselves to the masterhand,
Each in his part as best he could,
We played it through as the author planned.
I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean rows will I have there, a hive for the honey bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight's all a glimmer, and noon a purple glow, And evening full of the linnet's wings.
the long-distance run of an early morning makes me think that every run like this is a life- a little life, I know- but a life as full of misery and happiness and things happening as you can ever get really around yourself
I dreamt we walked together along the shore. We made satisfying small talk and laughed. This morning I found sand in my shoe and a seashell in my pocket. Was I only dreaming?
My opinion of my whole experience varies from time to time. In broad daylight, and at most seasons I am apt to think the greater part of it a mere dream; but sometimes in the autumn, about two in the morning when winds and animals howl dismally, there comes from inconceivable depths below a damnable suggestions of rhythmical throbbing ... and I feel that the transition of Juan Romero was a terrible one indeed.