In me thou see'st the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away Death's second self, that seals up all in rest. -Sonnet 73
The aesthete aims at harmony rather than beauty. If his hair does not match the mauve sunset against which he is standing, he hurriedly dyes his hair another shade of mauve. If his wife does not go with the wall-paper, he gets a divorce.
Come, my friends Tis not too late to seek a newer world Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset and the baths Of all the western stars, until I die
Smile O voluptuous coolbreathed earth!
Earth of the slumbering and liquid trees!
Earth of departed sunset! Earth of the mountains misty-topt!
Earth of the vitreous pour of the full moon just tinged with blue!
Earth of shine and dark mottling the tide of the river!
Earth of the limpid gray of clouds brighter and clearer for my sake!
Far-swooping elbowed earth! Rich apple-blossomed earth!
Smile, for your lover comes!
And would it have been worth it, after all, Would it have been worth while, After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floor - And this, and so much more? -
It is sometimes said that scientists are unromantic, that their passion to figure out robs the world of beauty and mystery. But is it not stirring to understand how the world actually works — that white light is made of colors, that color is the way we perceive the wavelengths of light, that transparent air reflects light, that in so doing it discriminates among the waves, and that the sky is blue for the same reason that the sunset is red? It does no harm to the romance of the sunset to know a little bit about it.
And to lose the chance to see frigatebirds soaring in circles above the storm, or a file of pelicans winging their way homeward across the crimson afterglow of the sunset, or a myriad terns flashing in the bright light of midday as they hover in a shifting maze above the beach -- why, the loss is like the loss of a gallery of the masterpieces of the artists of old time.
Every day, the sun; and, after sunset, night and her stars. Ever the winds blow; ever the grass grows. Every day, men and women, conversing, beholding and beholden. The scholar is he of all men whom this spectacle most engages. He must settle its value in his mind. What is nature to him?
And would it have been worth it, after all, Would it have been worth while, After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floor - And this, and so much more? -
Just as old age is creeping on space, And clouds come o'er the sunset of our day, They kindly leave us, though not quite alone, But in good company--the gout or stone.
So we down-to-earth, gutsy, tough, realistic, and practical types have just been squandering billions of dollars and unimaginable amounts of energy, nerve-work, and materials in whizzing off to the moon to discover, as astronomers knew before, that it was just a dreary slag heap. This is the true, original and scientifically etymological meaning of being lunatics. Crying for the moon.
Personal beauty is then first charming and itself, when it dissatisfies us with any end; when it becomes a story without an end; when it suggests gleams and visions, and not earthly satisfactions; when it makes the beholder feel his unworthiness; when he cannot feel his right to it, though he were Caesar; he cannot feel more right to it than to the firmament and the splendors of a sunset.