A message came from my youth of vanished days, saying, 'I wait for you among the quivering of unborn May, where smiles ripen for tears and hours ache with songs unsung.' It says, 'Come to me across the worn-out track of age, through the gates of death. For dreams fade, hopes fail, the fathered fruits of the year decay, but I am the eternal truth, and you shall meet me again and again in your voyage of life from shore to shore.
If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.
We look before and after, And pine for what is not; Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought.
That's where the songs come from: that's what I'd most want people to understand. What sounds good or looks good, that's nothing. The only worthwhile thing in art is seeing someone else's heart.
I dont really take anything from home except some U.S. magazines and books and definitely some U.S. music. There are just certain songs that remind me of home.
I never try and force-feed any song idea or lyrical message. It's really what's on my mind and what comes out of me. And a lot of these lyrics are metaphors for specific life situations that I've been through, and in most cases, the struggles. Something about human beings wearing sadness heavily on their sleeve inspires me to make something uplifting about the situation.
In fact, after Donald Trump won, some of the relief of finishing record was to turn off all the politics for a while. There were some songs that had more of the political stuff that we just decided to wait on and put aside. A few weeks after the election, I stopped watching cable news and just unplugged. My way of dealing with the new situation we're in was to just work on something that I care about.
Winter is on my head, but eternal spring is in my heart. The nearer I approach the end, the plainer I hear around me the immortal symphonies of the worlds which invite me. . . . For half a century I have been writing thoughts in prose, verse, history, drama, romance, tradition, satire, ode, and song. I have tried them all, but I feel I have not said a thousandth part of that which is within me. When I go down to the grave, I can say "I have finished my day's work," but I cannot say "I have finished my life's work."
Everybody knows we're big liberals and I was a very outspoken Hillary Clinton supporter, and I still am. It's impossible for us to separate the songs we're writing from what's going on in the world.
The [book of the bible] Song Of Songs is an amazing erotic love poem that the church has tried very hard not to notice. It is really beautiful, and musical in its poetry.
When on a summer's morn I wake,
And open my two eyes,
Out to the clear, born-singing rills
My bird-like spirit flies.
To hear the Blackbird, Cuckoo, Thrush,
Or any bird in song;
And common leaves that hum all day
Without a throat or tongue.
And when Time strikes the hour for sleep,
Back in my room alone,
My heart has many a sweet bird's song -
And one that's all my own.
The lover never sees personal resemblances in his mistress to her kindred or to others. His friends find in her a likeness to hermother, or her sisters, or to persons not of her blood. The lover sees no resemblance except to summer evenings and diamond mornings, to rainbows and the song of birds.
Once again the songs of the fatherland roared to the heavens along the endless marching columns, and for the last time the Lord's grace smiled on His ungrateful children.