For all its material advantages, the sedentary life has left us edgy, unfulfilled, even after 400 generations in villages and cities, we haven't forgotten: The open road still softly calls like a nearly forgotten song of childhood.
You are daydreaming about the future because you have not tasted the present. Start tasting the present. Find out a few moments where you are simply delighting. Looking at the trees, just be the look. Listening to the birds, just be a listening ear. Let them reach to your deepest core. Let their song spread all over your being.
Separated lovers cheat absence by a thousand fancies which have their own reality. They are prevented from seeing one another and they cannot write; nevertheless they find countless mysterious ways of corresponding, by sending each other the song of birds, the scent of flowers, the laughter of children.
When the heart is hard and parched up, come upon me with a shower of mercy. When grace is lost from life, come with a burst of song. When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest. When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king. When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
My heart, the bird of the wilderness, has found its sky in your eyes. They are the cradle of the morning, they are the kingdom of the stars. My songs are lost in their depths. Let me but soar in that sky, in its lonely immensity. Let me but cleave its clouds and spread wings in its sunshine.
I think for many songwriter/performers, you need to go off by yourself and write the songs to begin with, but then you need people to bring them to life. So you have to be comfortable with solitude and also with being very social.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
I make charts of songs that are good candidates, good targets, so to speak. Then I try to come up with ideas for parodies. And 99% of those ideas are horrible.
But touch me, and no minister so sore.
Whoe'er offends, at some unlucky time
Slides into verse, and hitches in a rhyme,
Sacred to ridicule his whole life long,
And the sad burthen of some merry song.
Clouds of insects danced and buzzed in the golden autumn light, and the air was full of the piping of the song-birds. Long, glinting dragonflies shot across the path, or hung tremulous with gauzy wings and gleaming bodies.
A song is no song unless the circumstance is free and fine. If a singer sing from a sense of duty or from seeing no way to escape,I had rather have none. Those only can sleep who do not care to sleep; and those only write or speak best who do not too much respect the writing or the speaking.
I have wished a bird would fly away,
And not sing by my house all day;
Have clapped my hands at him from the door
When it seemed as if I could bear no more.
The fault must partly have been in me.
The bird was not to blame for his key.
And of course there must be something wrong
In wanting to silence any song.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.