In my opinion, there is a huge lack of imaginative, unconventional music being created by artists today and what little there is, goes widely unappreciated by the masses. 'Port Blue' is my attempt at re-creating the music I want to hear and the emotions I want to feel." "If by chance you ever feel as though you’ve come to know these songs, please consider yourself a friend because in a manner of speaking, you know me. This music is my heart and soul. This is who I am." (Adam R. Young, 2006)
These are thy glorious works Parent of Good, Almighty, thine this universal Frame, Thus wondrous fair; thy self how wondrous then! Unspeakable, who sitst above these Heavens To us invisible or dimly seen In these thy lowest works, yet these declare Thy goodness beyond thought, and Power Divine: Speak ye who best can tell, ye Sons of light, Angels, for ye behold him, and with songs And choral symphonies, Day without Night, Circle his Throne rejoicing, ye in Heav'n, On Earth join all ye Creatures to extoll Him first, him last, him midst, and without end.
I think for many songwriter/performers, you need to go off by yourself and write the songs to begin with, but then you need people to bring them to life. So you have to be comfortable with solitude and also with being very social.
It's hard to really articulate what the parameters are that make one song parody-able and another song not, but if I can come up with a good enough idea for it, I go for it, and if not, then I have to move on.
Being is so significant that it is irreplaceable. You are just yourself. Do something that comes out of you - not to assert, but to express! Sing your song, dance your dance, rejoice in being whatever nature has chosen you to be.
What a wonderful song, she thought-everything was wonderful tonight, most of all this romantic scene in the den with their hands clinging and the inevitable looming charmingly close. The future vista of her life seemed an unending succession of scenes like this: under moonlight and pale starlight, and in the backs of warm limousines and in low cosy roadsters stopped under sheltering trees-only the boy might change, and this one was so nice.
We just do what we do, we're grateful every night when there's people in front of the stage and singing our songs back at us. We're all fortunate to be able to be doing this for a living, so we're just grateful to be here and we just do what we do and we let the people decide.
That was the first sound in the song of love!
Scarce more than silence is, and yet a sound.
Hands of invisible spirits touch the strings
Of that mysterious instrument, the soul,
And play the prelude of our fate. We hear
The voice prophetic, and are not alone.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
The way I write my songs is that I have to believe what I’m writing about, and that’s why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, “Oh my God, this song is totally about me.”
Even the song of birds, which we can bring under no musical rule, seems to have more freedom, and therefore more for taste, than a song of a human being which is produced in accordance with all the rules of music; for we very much sooner weary of the latter, if it is repeated often and at length. Here, however, we probably confuse our participation in the mirth of a little creature that we love, with the beauty of its song; for if this were exactly imitated by man (as sometimes the notes of the nightingale are) it would seem to our ear quite devoid of taste.
If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.