Everybody knows we're big liberals and I was a very outspoken Hillary Clinton supporter, and I still am. It's impossible for us to separate the songs we're writing from what's going on in the world.
I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
O Autumn, laden with fruit, and stained With the blood of the grape, pass not, but sit Beneath my shady roof; there thou may'st rest, And tune thy jolly voice to my fresh pipe; And all the daughters of the year shall dance! Sing now the lusty song of fruit and flowers.
Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
Writing a song doesn't heal things. Even if the song comes up with a solution, it's still only a theory. Going out and living my lyrics is a whole other deal. That takes courage.
I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive.
Beloved, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with metry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee.
In my opinion, there is a huge lack of imaginative, unconventional music being created by artists today and what little there is, goes widely unappreciated by the masses. 'Port Blue' is my attempt at re-creating the music I want to hear and the emotions I want to feel." "If by chance you ever feel as though you’ve come to know these songs, please consider yourself a friend because in a manner of speaking, you know me. This music is my heart and soul. This is who I am." (Adam R. Young, 2006)
I was in a Broadway musical called Big Time Buck Wright.The play didn't make it but I was a success. It lasted six days but I sung four songs and there were critics, seriously, in New York who said that my part was perfect. So I can beat Joe Frazier singing.
In the other gardens
And all up the vale,
From the autumn bonfies
See the smoke trail!
Pleasant summer over
And all the summer flowers,
The red fire blazes,
the grey smoke towers.
Sing a song of seasons!
Something bright in all,
Flowers in the summer
Fires in the fall!
Now the Sirens have a still more fatal weapon than their song, namely their silence... someone might possibly have escaped from their singing; but from their silence, certainly never.
'Brand-Dropping' is the term that the Kluger Agency coined to describe discreetly advertising by product mentioning in song, and we feel we can make this the way of the future without jeopardizing any artist's creative outlet or typical style.