Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen?
I start with a comprehensive list of all the recent songs that have been big hits - and then I go down that list and see if I can come up with funny ideas for them. I can always come up with ideas, but not necessarily good ones!
Being is so significant that it is irreplaceable. You are just yourself. Do something that comes out of you - not to assert, but to express! Sing your song, dance your dance, rejoice in being whatever nature has chosen you to be.
I live alone in a house, so for me it's very good to just be able to re-charge and just disappear and escape from reality and that's usually when I write most of my lyrics and my songs. It's a very happy productive place.
Genial manners are good, and power of accommodation to any circumstance, but the high prize of life, the crowning fortune of a man is to be born with a bias to some pursuit, which finds him in employment and happiness, -- whether it be to make baskets, or broadswords, or canals, or statutes, or songs. I doubt not this was the meaning of Socrates, when he pronounced artists the only truly wise, as being actually, not apparently so.
The moving accident is not my trade; To freeze the blood I have no ready arts: 'Tis my delight, alone in summer shade, To pipe a simple song for thinking hearts.
Everything I do is about setting up for the next. I think that my confidence and belief in myself as well as the music and trusting my judgment of my songs really grew the most.
When I want to party, I play Beyoncé's "Crazy in Love." That's always been the song that my friends and I get ready to; or before I go on a first date, I play it to feel sexy.
But now I have learned to listen to silence. To hear its choirs singing the song of ages, chanting the hymns of space, and disclosing the secrets of eternity.
There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist's relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.
Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along.
Now I will do nothing but listen to accrue what I hear into this song. To let sounds contribute toward it. I hear the sound I love. The sound of the human voice. I hear all sounds running together.
Within a few years a simple and inexpensive device, readily carried about, will enable one to receive on land or sea the principal news, to hear a speech, a lecture, a song or play of a musical instrument, conveyed from any other region of the globe.
Oh, Black known and unknown poets, how often have your auctioned pains sustained us? Who will compute the lonely nights made less lonely by your songs, or by the empty pots made less tragic by your tales? If we were a people much given to revealing secrets, we might raise monuments and sacrifice to the memories of our poets, but slavery cured us of that weakness.
Right around my first year of college - I remember "Song of Solomon," by Toni Morrison, just moved me tremendously. The power of language and how it can peel back truths, bring things to the surface. So I learned a lot from fiction.
I remember how beautiful it was to fall asleep on your couch and cry in front of you for the first time.
You were the best platform from which to jump beyond myself.
What was wrong with me?