Now I will do nothing but listen to accrue what I hear into this song. To let sounds contribute toward it. I hear the sound I love. The sound of the human voice. I hear all sounds running together.
There were nights when he took a deal more rum and water than his head could carry; and then he would sometimes sit and sing his wicked old wild sea-songs, minding nobody... Often I have heard the house shaking with Yo-ho-ho and a bottle and rum, all the neighbours joining in for dear life with the fear of death upon them and each singing louder than the other to avoid remark. Fiften men on the dead man's chest, Yo-ho-ho and a bottle of rum! Drink and the devil have done for the rest. Yo-ho-ho and a bottle of rum!
If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song."
I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.
Genial manners are good, and power of accommodation to any circumstance, but the high prize of life, the crowning fortune of a man is to be born with a bias to some pursuit, which finds him in employment and happiness, -- whether it be to make baskets, or broadswords, or canals, or statutes, or songs. I doubt not this was the meaning of Socrates, when he pronounced artists the only truly wise, as being actually, not apparently so.
The lover never sees personal resemblances in his mistress to her kindred or to others. His friends find in her a likeness to hermother, or her sisters, or to persons not of her blood. The lover sees no resemblance except to summer evenings and diamond mornings, to rainbows and the song of birds.
It's funny because if you ever ask anyone in England to try and do a Beatles accent, no one knows what they really sound like. If you ask anyone in America, they would try and give it a go. English people just know their songs.
I think the most important thing about dance music is the connection. If you put 80,000 people together, no one knows each other, and once the music starts, everyone loves each other. That doesn't happen with a lot of genres. If you go to a hip-hop club, it's not like when one songs comes on that everyone suddenly loves each other.
What a wonderful song, she thought-everything was wonderful tonight, most of all this romantic scene in the den with their hands clinging and the inevitable looming charmingly close. The future vista of her life seemed an unending succession of scenes like this: under moonlight and pale starlight, and in the backs of warm limousines and in low cosy roadsters stopped under sheltering trees-only the boy might change, and this one was so nice.
I'm a human being just like you are. And I hurt and love just like everybody else, and people tend to forget that. I think I'm one of the friendliest celebrities around, because I'll stop to talk to anybody who recognizes me. I don't have a negative bone in my body. That's why I could care less about any gossip. It doesn't interest me. I'd rather sit down and write a song.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.