I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
I love the balls-to-the-walls rule-breaking approach the Beatles had in the studio (which I emulate), although I don't try to make my songs "sound" like their songs. But every time I crank a knob of some piece of equipment, or plug an instrument into the "wrong" amp/effect, I am channeling the Beatles.
Separated lovers cheat absence by a thousand fancies which have their own reality. They are prevented from seeing one another and they cannot write; nevertheless they find countless mysterious ways of corresponding, by sending each other the song of birds, the scent of flowers, the laughter of children.
When the heart is hard and parched up, come upon me with a shower of mercy. When grace is lost from life, come with a burst of song. When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest. When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king. When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
I live alone in a house, so for me it's very good to just be able to re-charge and just disappear and escape from reality and that's usually when I write most of my lyrics and my songs. It's a very happy productive place.
Not any specific one, but I was a huge fan of Frank Jacobs, I guess he wrote the plurality of the song parodies for MAD, Sam Hart, a few others, but that was also where I was first exposed to the art form of song parodies.
When loud by landside streamlets gush,
And clear in the greenwood quires the thrush,
With sun on the meadows
And songs in the shadows
Comes again to me
The gift of the tongues of the lea,
The gift of the tongues of meadows.
So when the earth is alive with gods,
And the lusty ploughman breaks the sod,
And the grass sings in the meadows,
And the flowers smile in the shadows,
Sits my heart at ease,
Hearing the song of the leas,
Singing the songs of the meadows.
Everything I do is about setting up for the next. I think that my confidence and belief in myself as well as the music and trusting my judgment of my songs really grew the most.
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
Now the bright morning-star, Day's harbinger,
Comes dancing from the East, and leads with her
The flowery May, who from her green lap throws
The yellow cowslip and the pale primrose.
Hail, bounteous May, that dost inspire
Mirth, and youth, and warm desire!
Woods and groves are of thy dressing;
Hill and dale doth boast thy blessing.
Thus we salute thee with our early song,
And welcome thee, and wish thee long.
I'm like the opposite of one of those comedians who's funny on stage and depressed behind closed doors . On record, I can get pretty dark, but in real life I'm very carefree. But when I'm happy, I ain't writing songs, I'm out having a laugh, being in love. I wouldn't have the time. If I ever get married, it'll be 'Darling, I need a divorce, it's been three years, I've got a record to write!'