I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song."
Coming, as I do, from mountain folk on one side and sea followers on the other, there are few old songs of the hills or the sea with which I am not familiar.
There's just enough drinking and cheating songs around without me adding to them. Unless you've got something better than "Misery and Gin" by Merle Haggard, you're beating a dead horse.
Who is the best rapper ever? I'll probably have to say Eminem. I would definitely say Eminem. He came from a whole another culture, literally. Mastered it, outsold everybody and he did every kind of record imaginable. He could take any topic and make a song out of it. I haven't seen any artist do that yet.
At the end of the day, if I do a set at a festival and I only have an hour, which is kind of short for a DJ set, I know that I have to play at least six of my songs. Then the whole challenge is what do I weave around that. How do I stand out? Because at a festival there's probably fifteen songs every DJ's going to play every hour, for the whole day. That to me is more interesting, because I still feel like an outsider in this world.
I worry that, especially as the Millennium edges nearer, pseudo-science and superstition will seem year by year more tempting, the siren song of unreason more sonorous and attractive.
Everything I do is about setting up for the next. I think that my confidence and belief in myself as well as the music and trusting my judgment of my songs really grew the most.
To evade such temptations is the first duty of the poet. For as the ear is the antechamber to the soul, poetry can adulterate and destroy more surely then lust or gunpowder. The poet's, then, is the highest office of all. His words reach where others fall short. A silly song of Shakespeare's has done more for the poor and the wicked than all the preachers and philanthropists in the world.
I have an office full of product from brands trying to be in videos and an inbox full of songs from artists, but at the end of the day if the artist doesn't support the brand or it doesn't make sense for the song, then it will never work. What we do is try to pair them up so that both sides are happy.