These songs are old friends I have entertained myself with when I'm washing the dishes, driving to the store and walking down the aisles. The ones that you sing when you're driving in the car and as a singer you always go back to them.
The moving accident is not my trade; To freeze the blood I have no ready arts: 'Tis my delight, alone in summer shade, To pipe a simple song for thinking hearts.
There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist's relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.
There were nights when he took a deal more rum and water than his head could carry; and then he would sometimes sit and sing his wicked old wild sea-songs, minding nobody... Often I have heard the house shaking with Yo-ho-ho and a bottle and rum, all the neighbours joining in for dear life with the fear of death upon them and each singing louder than the other to avoid remark. Fiften men on the dead man's chest, Yo-ho-ho and a bottle of rum! Drink and the devil have done for the rest. Yo-ho-ho and a bottle of rum!
We've always been trying to climb this ladder that leans so hard on our own idea of what our big songs are. We realized recently that we're not a band with big songs.
I find in my poetry and prose the rhythms and imagery of the best - I mean, when I'm at my best - of the good Southern black preachers. The lyricism of the spirituals and the directness of gospel songs and the mystery of blues are in my music or in my poetry and prose, or I missed everything.
Loving God, help us remember the birth of Jesus, that we may share in the song of the angels, the gladness of the shepherds, and the worship of the wise men.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy.
I'm just writing love songs. I'm not trying to be pop. I'm not trying to be jazz. I'm not trying to be anything. I'm just writing love songs. And everyone loves a love song.
I couldn't write a song to save my life. I wouldn't say that I started to panic, but I was definitely getting frustrated. I couldn't even cross a t or dot an i.
On the long dusty ribbon of the long city street,
The pageant of life is passing me on multitudinous feet,
With a word here of the hills, and a song there of the sea
And-the great movement changes-the pageant passes me.
Join with those who sing songs, tell stories, enjoy life ... because happiness is contagious. Join those who walk with their heads high even when they have tears in their eyes. Avoid those who ... have never shed a tear
There's just enough drinking and cheating songs around without me adding to them. Unless you've got something better than "Misery and Gin" by Merle Haggard, you're beating a dead horse.