We should manage our thoughts as shepherds do their flowers in making a garland: first, select the choicest, and then dispose them in the most proper places, that every one may reflect a part of its color and brightness on the next.
Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information. Typography should not vary widely in an interface.
...And, all at once, the moon arouse through the thin ghastly mist, And was crimson in color... And they lynx which dwelleth forever in the tomb, came out therefrom. And lay down at the feet of the demon. And looked at him steadily in the face.
America is not nearly done. We're only in the beginning. Who knows who we will be? Who knows... what color we will be? It is all something that, maybe, our descendants - if they survive that long - will see.
That's the whole burden of this novel - the loss of those illusions that give such color to the world that you don't care whether things are true or false as long as they partake of the magical glory.
As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.