Making a movie is, for me, like painting. I just enjoy the care that goes into every brushstroke and the choice of every color. I enjoy the intensity of it.
Today we reject the notion of equality between a regime that belongs to the democratic world - even if it is conservative and disagreeable - and a totalitarian dictatorship, whether its colors are black, red, or green. This is why we will never again say that Chamberlain is no better than Hitler, Roosevelt no better than Stalin, and Nixon no better than Mao Zedong, even if we do condemn Roosevelt for Yalta, Chamberlain for Munich, and Nixon for Watergate.
America is not nearly done. We're only in the beginning. Who knows who we will be? Who knows... what color we will be? It is all something that, maybe, our descendants - if they survive that long - will see.
That's the whole burden of this novel - the loss of those illusions that give such color to the world that you don't care whether things are true or false as long as they partake of the magical glory.
If you're white and you're wrong, then you're wrong; if you're black and you're wrong, you're wrong. People are people. Black, blue, pink, green - God make no rules about color; only society make rules where my people suffer, and that why we must have redemption and redemption now.