Ever since I started acting, I've always spoken to our people about identity. I've spoken to kids, telling them: "Where do I get my strength to push through the barriers to get me where I'm at today? It's my culture and my traditions, you know?
I don't know what the hell I'm doing; I like what I've been doing. I believe in what I've done in the past; I hope my kid enjoys the movies I've made and enjoys some of the movies in the future.
As a kid, I'd go into the bathroom when I was having a tantrum. I'd be in the bathroom crying, studying myself in the mirror. I was preparing for future roles.
As I got older, then my particular ambitions started cohering around creating a world in which people of different races or backgrounds or faiths can recognize each other's humanity, or creating a world in which every kid, regardless of their background, can strive and achieve and fulfill their potential.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
You may want to prove that you're worthy of other kids or neighbors who were wealthier than you and teased you. You may want to prove that you're worthy of high expectations. But I do think that there is a youthful ambition that very much has to do with making your mark in the world. And I think that cuts across the experiences of a lot of people who end up achieving something significant in their field.
I get bitter, angry and disbelieving and I tell my kids there a lot of idiots out there. I also want them to know that being successful is not the real world - that their parents get treated better because they're on TV.
And another thing. Don’t ever kid yourself about loving some one. It is just that most people are not lucky enough ever to have it. You never had it before and now you have it. What you have with Maria, whether it lasts just through today and a part of tomorrow, or whether it lasts for a long life is the most important thing that can happen to a human being. There will always be people who say it does not exist because they cannot have it. But I tell you it is true and that you have it and that you are lucky even if you die tomorrow.
I actually like taking a mic and plugging it into an amp and giving it to a kid to see what they do, 'cause they flip out. They're way more in touch with their voices than we give them credit for.
If I had kids, my kids would hate me. They would have ended up on the equivalent of the Oprah show talking about me; because something [in my life] would have had to suffer and it would've probably been them.
The American people recognize that their careers or their kids' careers are going to have to be more dynamic. That they might not be working at a single plant for 30 years. That they might have to change careers. They might have to get more education. They might have to retool or retrain. And I think the American people are game for that.