It's so ridiculous to see a golfer with a one foot putt and everybody is saying "Shhh" and not moving a muscle. Then we allow nineteen year-old kids to face a game-deciding free throw with seventeen thousand people yelling.
Looking back, now, I realize that you only ever need one person who lights up that way when you enter a room. One person is all it takes to give a kid confidence.
You may want to prove that you're worthy of other kids or neighbors who were wealthier than you and teased you. You may want to prove that you're worthy of high expectations. But I do think that there is a youthful ambition that very much has to do with making your mark in the world. And I think that cuts across the experiences of a lot of people who end up achieving something significant in their field.
I don't know what the hell I'm doing; I like what I've been doing. I believe in what I've done in the past; I hope my kid enjoys the movies I've made and enjoys some of the movies in the future.
The difference when you have kids comes up when someone wants to meet you out after 9:30 at night. You consider that giant sacrifice. You're like, "Do I do this? Do I stay out until 10:30 and be angry, all of tomorrow?
Many kids, it seemed, would find out that their parents were flawed, messed-up people later in life, and I didn't appreciate getting to know it all so strong and early.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
But beef is rare within these oxless isles; Goat's flesh there is, no doubt, and kid, and mutton; And, when a holiday upon them smiles, A joint upon their barbarous spits they put on.
I don't strive for balance. I just try to get through my to-do list, with my kids' homework being at the top of it, and then try to prepare for the next audition or whatever scene I'm shooting next. Balance.