I'm a self-taught musician, so I never really had the restrictions of any one instrument. I would always just sort of pick up instruments and make noise with 'em.
Because when you go out, and you have fun, basically you're performing for these tabloid outlets and the paparazzi. And when you perform and create this story, they're chuffed - they get excited, they capture it, and they put it out.
I'm sort of always trying to reinvent and recreate a better way of being, because, you know, democracy has been "the worst of all political systems except for all the rest." So I think we have a lot of room to grow and be a better society, and it's a constant battle. It's an exciting opportunity to be active.
The future of cinema and communications is all about collaboration and the decentralized control of storytelling. We're all part of the story; we can all contribute and participate.
I think winter wear is communal. You get some gloves and a scarf from a lost-and-found box, wash them, wear them for a while until you lose them. Then somebody else does the same thing
Find a partner, commit to taking action, and hold each other accountable. Helping our planet is not a one-person or one-country job; we need to be good partners and good neighbors to one another. Routine, measurable, and collective actions both small and large will make an impact.
That's what we do on 'Entourage.' We embed ourselves in legitimate authentic moments so wherever the action is happening, we're taking pieces from that red carpet.
The problem to me with environmentalism is the idea that we're all gonna die and we need to save ourselves. I don't think it's necessarily the right way to go about it, because I think we need to really just improve our every moment and improve our quality of life. And that will, sort of by default, save us.