I've always been a very rebellious, philosophical person, so my mother set the foundation for my appreciation for nature and my empathy for other people. But then, being a sort of rebellious, philosophical thinker, I'm always looking for new ways to shake things up. So I feel like I'm really lucky to be alive in a time where there's so much opportunity to disrupt and shake it up. It's sort of a combination between that and having the foundation that my mother gave me.
We can't be naive and think we can go it alone; we must humble ourselves and commit to routine and collective actions. This is just one reason why I am thrilled to be working with the UN Environment as its Goodwill Ambassador.
That's what we do on 'Entourage.' We embed ourselves in legitimate authentic moments so wherever the action is happening, we're taking pieces from that red carpet.
The future of cinema and communications is all about collaboration and the decentralized control of storytelling. We're all part of the story; we can all contribute and participate.
I'm a filmmaker, I'm a storyteller, an entertainer, if you will, so what can I do to participate? Well, I'm not a scientist; I'm not an expert on environmental law; I'm a guy that can tell stories. So I always look for a way to communicate ideas and help to spread excitement for change.
I'm a self-taught musician, so I never really had the restrictions of any one instrument. I would always just sort of pick up instruments and make noise with 'em.
I think it's important that we run that tension between the way things are, in terms of the way we're governed, and the way we sort of become complacent.
I think winter wear is communal. You get some gloves and a scarf from a lost-and-found box, wash them, wear them for a while until you lose them. Then somebody else does the same thing