The problem to me with environmentalism is the idea that we're all gonna die and we need to save ourselves. I don't think it's necessarily the right way to go about it, because I think we need to really just improve our every moment and improve our quality of life. And that will, sort of by default, save us.
I'm a self-taught musician, so I never really had the restrictions of any one instrument. I would always just sort of pick up instruments and make noise with 'em.
That's what we do on 'Entourage.' We embed ourselves in legitimate authentic moments so wherever the action is happening, we're taking pieces from that red carpet.
I really do believe that in order to overcome our environmental shortcomings, we have to act united as a people, and that means that every individual has to participate and do their part. Certainly, we need government and legislation, but the governments really listen to people, so we all have to bring to the table our own effort or our own passion in whatever way that manifests itself.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
Because when you go out, and you have fun, basically you're performing for these tabloid outlets and the paparazzi. And when you perform and create this story, they're chuffed - they get excited, they capture it, and they put it out.
Music is a language of emotion. I'm passionate about it because I think it's the most direct way to connect to the things that are ineffable. Words just aren't necessary a good enough opportunity to express. Words are maybe less than accessible at expressing.