For a woman, love is the highest dream, and if a man promises to build a ladder tall enough to reach it, she believes him, hikes up her skirt, and follows him to the stars.
Everything has to be clean and orderly when I sit down to write. I have candles going, and small objects that remind me of what I am working on, or bring me into the world of the character.
I have been a joy to live with all spring: Upbeat, warm and tender, uncomplicated, and loving. I am no trouble at all. You could press me into dough and make sugar cookies out of me, I've been so sweet.
Energy has to be fed from a source. If you don't feed the source, it dissipates entirely.Same is true of liking a boy. If you cut off the thoughts, if you stop pinning, you're free to find a boy who is attainable.
Mama always said a good family has one heartbeat. No one knows you like the people you live with, and no one will take up your cause to the outside world quite like your blood relatives.
The wedding vows are a license to be a complete jerk, with full knowledge that the person you married has agreed, no matter how large a horse's ass you are, to stay by your side until death. A fool could tell you this is a bad deal.
A handwritten letter carries a lot of risk. It's a one-sided conversation that reveals the truth of the writer. Furthermore, the writer is not there to see the reaction of the person he writes to, so there's a great unknown to the process that requires a leap of faith. The writer has to choose the right words to express his sentences, and then, once he has sealed the envelope, he has to place those thoughts in the hands of someone else, trusting that the feelings will be delivered, and that the recipient will understand the writer's intent. How childish to think that could be easy.
This should tell you everything you need to know about guys. They only go after what they know they can get. We girls, on the other hand, aim really high. We take a leap.
I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.