I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.
People have often told me that one of their strongest childhood memories is the scent of their grandmother's house. I never knew my grandmothers, but I could always count of the Bookmobile.
A library is a home filled with our stories. On every shelf, we see ourselves, experience our collective conscious, describe our dreams and our great longing for times that have passed, the sterling moment of the present and the glorious future known only in our imaginations.
The most precious research to me came from the paperwork filed on behalf of my grandparents and great-grandfather. The ship's manifest showed that they could read and write. I am still emotional when I look at those boxes checked yes.
Food is so important - it sustains us, it provides a social focal point, and it is fun. I cannot unravel the difference between love in my family and the preparation of food because they are so closely woven.
And when you clear away the cobwebs of the description of every job in the world, at the bottom of that job is service. It's service. And I took that ethic and applied it to my writing craft.
The wedding vows are a license to be a complete jerk, with full knowledge that the person you married has agreed, no matter how large a horse's ass you are, to stay by your side until death. A fool could tell you this is a bad deal.
I used to believe my art had to be about the things that brought me joy and gave me hope. But I learned that art can be found in all of life, even in pain.