When I was a kid, I thought I was going to be an architect, because when I was 12 years old I had a guidance counselor that convinced me that that was the best career choice for me.
Not any specific one, but I was a huge fan of Frank Jacobs, I guess he wrote the plurality of the song parodies for MAD, Sam Hart, a few others, but that was also where I was first exposed to the art form of song parodies.
Many years ago I found out something about hamburgers that really grossed me out. You may not know this, so I hope I don’t make you sick, but it turns out hamburgers are actually made out of dead cows. I am not making this up. Needless to say, as soon as I discovered that, I gave up meat entirely.
If I could find the right kind of property, get tied in with the right movie, I'd love to be involved, but I just find it hard to be motivated to do another screenplay right now.
What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist's performance on whether or not they had a good seat?
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
I suppose I had my rock star fantasies while I was singing into my hairbrush in the bathroom mirror, but I never really consciously said, 'OK, this is what I'm going to do for a living and I'm going to be Weird Al.'
I think I'm equally as abusive as the editors normally are for the "Letters and Tomatoes" column, which is the fan mail part of MAD Magazine and an ongoing feature.
I tend to enunciate pretty well. It's always seemed that my voice is one of those voices that people can recognize pretty easily - which has been a bit of a drawback for some characters because you're supposed to lose yourself in the character, but sometimes people look at a character and go "Oh, it's 'Weird Al.'"
It was difficult to get into my friends' rock bands when I was a teenager. They somehow didn't see the need for an accordion player. That's when I realized that I had to find my own path in life.
I was able to come up with a couple articles for the magazine, I was able to solicit help from a bunch of my friends to contribute pieces: Patton Oswalt, Seth Green, Emo Phillips, Chris Hardwick, John Hodgman, and more. It's very much a "Weird Al" themed issue, so I'd like to think that there's a lot of "Weird Al" flavor throughout but I think it'd be generous really to call me an editor.