It is sound statesmanship to add two battleships every time our neighbour adds one and two stories to our skyscrapers every time he piles a new one on top of his to threaten our light. There is no limit to this soundness but the sky.
Even the clearest and most perfect circumstantial evidence is likely to be at fault, after all, and therefore ought to be received with great caution. Take the case of any pencil, sharpened by any woman; if you have witnesses, you will find she did it with a knife; but if you take simply the aspect of the pencil, you will say that she did it with her teeth.
When you got to the table you couldn't go right to eating, but you had to wait for the widow to tuck down her head and grumble a little over the victuals, though there warn't really anything the matter with them. That is, nothing only everything was cooked by itself. In a barrel of odds and ends it is different; things get mixed up, and the juice kind of swaps around, and the things go better.
I have thought many times since that if poets when they get discouraged would blow their brains out, they could write very much better when they got well.
Where a blood relation sobs, an intimate friend should choke up, a distant acquaintance should sigh, a stranger should merely fumble sympathetically with his handkerchief.