I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
"Would you, do you, my dear?" rejoined the Captain ... "I don't know. It's difficult navigation. She's very hard to carry on with, my dear. You never can tell how she'll head, you see. She's full one minute, and round upon you next."
Happiness is this place that, once you arrive there, you have nothing else to do. You get bored. Passion is this up and down; it's like a rollercoaster, you know, and much more interesting to me.
I'm not particularly a career-oriented guy. I'm lucky. I can make really interesting films much of the time with interesting people yet be anonymous, have a private life. But, I'd like to have the choice of the better roles.
Every child has inside him an aching void for excitement and if we don't fill it with something which is exciting and interesting and good for him, he will fill it with something which is exciting and interesting and which isn't good for him.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
One of the interesting things about being in public life is there are constantly these pressures being placed on you from different sides. To be effective, you have to be able to listen to a variety of points of view, synthesize viewpoints.