I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
I know The past and thence I will essay to glean A warning for the future, so that man May profit by his errors, and derive Experience from his folly; For, when the power of imparting joy Is equal to the will, the human soul Requires no other heaven.
Had this author [Sir W Drummond Academical Questions, chap. iii.], instead of inveighing against the guilt and absurdity of atheism, demonstrated its falsehood, his conduct would have, been more suited to the modesty of the skeptic and the toleration of the philosopher.
We live and move and think; but we are not the creators of our own origin and existence. We are not the arbiters of every motion of our own complicated nature; we are not the masters of our own imaginations and moods of mental being.
The awful shadow of some unseen Power Floats though unseen among us; visiting This various world with as inconstant wing As summer winds that creep from flower to flower; Like moonbeams that behind some piny mountain shower, It visits with inconstant glance Each human heart and countenance; Like hues and harmonies of evening, Like clouds in starlight widely spread, Like memory of music fled, Like aught that for its grace may be Dear, and yet dearer for its mystery.
I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun. I wield the flail of the lashing hail, And whiten the green plains under, And then again I dissolve it in rain, And laugh as I pass in thunder.
The mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power arises from within...could this influence be durable in its original purity and force, it is impossible to predict the greatness of the result; but when composition begins, inspiration is already on the decline; and the most glorious poetry that has been communicated to the world is probably a feeble shadow of the original conceptions of the poet.