Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, 'I will compose poetry.' The greatest poet even cannot say it; for the mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness...and the conscious portions of our natures are unprophetic either of its approach or its departure.
Mankind, transmitting from generation to generation the legacy of accumulated vengeances, and pursuing with the feelings of duty the misery of their fellow-beings, have not failed to attribute to the Universal Cause a character analogous with their own. The image of this invisible, mysterious Being is more or less excellent and perfect resembles more or less its original in proportion to the perfection of the mind on which it is impressed.
The Pilgrim of Eternity, whose fame Over his living head like heaven is bent, An early but enduring monument, Came, veiling all the lightnings of his song In sorrow.
The warm sun is failing, the bleak wind is wailing, The bare boughs are sighing, the pale flowers are dying, And the Year On the earth her death-bed, in a shroud of leaves dead, Is lying. . . .
I never was attached to that great sect, Whose doctrine is that each one should select Out of the crowd a mistress or a friend, And all the rest, though fair and wise, commend, To cold oblivion.
Love is free; to promise for ever to love the same woman is not less absurd than to promise to believe the same creed; such a vow in both cases excludes us from all inquiry.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.