My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
I still lack a political, religious and philosophical world view - I change it every month - and so I'll have to limit myself to descriptions of how my heroes love, marry, give birth, die, and how they speak.
If you cry ''Forward'' you must be sure to make clear the direction in which to go. Don't you see that if you fail to do that and simply call out the word to a monk and a revolutionary, they will go in precisely opposite directions?
In Western Europe people perish from the congestion and stifling closeness, but with us it is from the spaciousness.... The expanses are so great that the little man hasn't the resources to orient himself.... This is what I think about Russian suicides.
Dear and most respected bookcase! I welcome your existence, which has for over one hundred years been devoted to the radiant ideals of goodness and justice.
There are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
Anna Petrovna (to Shabelsky): You can't make a simple joke without an injection of venom. You are a poisonous man. Joking apart, Count, you're very poisonous. It's hideously boring to live with you. You're always grumpy, complaining, you find everyone bad, good for nothing. Tell me frankly, Count, did you ever speak well of anyone?
You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If, in the first chapter, you say there is a gun hanging on the wall, you should make quite sure that it is going to be used further on in the story.