Happiness does not await us all. One needn't be a prophet to say that there will be more grief and pain than serenity and money. That is why we must hang on to one another.
Not everyone knows how to be silent or to leave in good time. It happens that even people of good breeding fail to notice that their presence provokes in the weary or preoccupied host a feeling akin to hatred, and that this feeling is tensely concealed and covered up with lies.
When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind.
He is no longer a city dweller who has even once in his life caught a ruff or seen how, on clear and cool autumn days, flocks of migrating thrushes drift over a village. Until his death he will be drawn to freedom.
If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
Tsars and slaves, the intelligent and the obtuse, publicans and pharisees all have an identical legal and moral right to honor the memory of the deceased as they see fit, without regard for anyone else's opinion and without the fear of hindering one another.
In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.
When you're thirsty and it seems that you could drink the entire ocean that's faith; when you start to drink and finish only a glass or two that's science.