Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands.
I like that ancient Saxon phrase, which calls The burial-ground God's-Acre! It is just; It consecrates each grave within its walls, And breathes a benison o'er the sleeping dust.
Where should the scholar live? In solitude, or in society? in the green stillness of the country, where he can hear the heart of Nature beat, or in the dark, gray town where he can hear and feel the throbbing heart of man?
Then from the neighboring thicket the mocking-bird, wildest of singers, Swinging aloft on a willow spray that hung o'er the water, Shook from his little throat such floods of delirious music, That the whole air and the woods and the waves seemed silent to listen.
How absolute and omnipotent is the silence of night! And yet the stillness seems almost audible! From all the measureless depths of air around us comes a half-sound, a half-whisper, as if we could hear the crumbling and falling away of earth and all created things, in the great miracle of nature, decay and reproduction, ever beginning, never ending,--the gradual lapse and running of the sand in the great hour-glass of Time.
Nothing that is can pause or stay; / The moon will wax, the moon will wane, / The mist and cloud will turn to rain, / The rain to mist and cloud again, / Tomorrow be today.
Look, then, into thine heart, and write! Yes, into Life's deep stream! All forms of sorrow and delight, All solemn Voices of the Night, That can soothe thee, or affright, - Be these henceforth thy theme. (excerpt from "Voices of the Night")