But the nearer the dawn the darker the night, And by going wrong all things come right. Things have been mended that were worse, and the the worse, the nearer they are to mend.
The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveler to the shore,
And the tide rises, the tide falls.
Some critics are like chimney-sweepers; they put out the fire below, and frighten the swallows from their nests above; they scrape a long time in the chimney, cover themselves with soot, and bring nothing away but a bag of cinders, and then sing from the top of the house as if they had built it.
Peace! and no longer from its brazen portals The blast of War's great organ shakes the skies! But beautiful as songs of the immortals, The holy melodies of love arise.
So disasters come not singly; But as if they watched and waited, Scanning one another's motions, When the first descends, the others Follow, follow, gathering flock-wiseRound their victim, sick and wounded, First a shadow, then a sorrow, Till the air is dark with anguish.
Simplicity is the character of the spring of life, costliness becomes its autumn; but a neatness and purity, like that of the snow-drop or lily of the valley, is the peculiar fascination of beauty, to which it lends enchantment, and gives what amiability is to the mind.
That was the first sound in the song of love!
Scarce more than silence is, and yet a sound.
Hands of invisible spirits touch the strings
Of that mysterious instrument, the soul,
And play the prelude of our fate. We hear
The voice prophetic, and are not alone.
More and more do I feel, as I advance in life, how little we really know of each other. Friendship seems to me like the touch of musical-glasses--it is only contact; but the glasses themselves, and their contents, remain quite distinct and unmingled.