There in seclusion and remote from men The wizard hand lies cold, Which at its topmost speed let fall the pen, And left the tale half told. Ah! who shall lift that wand of magic power, And the lost clew regain? The unfinished window in Aladdin's tower Unfinished must remain!
I shot an arrow into the air, It fell to earth, I knew not where; For, so swiftly it flew, the sight Could not follow it in its flight. I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the flight of song? Long, long afterward, in an oak I found the arrow, still unbroke; And the song, from beginning to end, I found again in the heart of a friend.
I have you fast in my fortress, And will not let you depart, But put you down into the dungeon, In the round-tower of my heart, And there will I keep you forever, Yes, forever and a day, Till the walls shall crumble to ruin, And moulder in the dust away!
Love makes its record in deeper colors as we grow out of childhood into manhood; as the Emperors signed their names in green ink when under age, but when of age, in purple.
Think of your woods and orchards without birds! Of empty nests that cling to boughs and beams As in an idiot's brain remembered words Hang empty 'mid the cobwebs of his dreams!
How can I teach your children gentleness and mercy to the weak, and reverence for life, which in its nakedness and excess, is still a gleam of God's omnipotence, when by your laws, your actions and your speech, you contradict the very things I teach?
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.