Ah, how wonderful is the advent of the Spring!—the great annual miracle.... which no force can stay, no violence restrain, like love, that wins its way and cannot be withstood by any human power, because itself is divine power. If Spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation would there be in all hearts to behold the miraculous change!... We are like children who are astonished and delighted only by the second-hand of the clock, not by the hour-hand.
How can I tell the signals and the signs
By which one heart another heart divines?
How can I tell the many thousand ways
By which it keeps the secret it betrays?
Gone are the living, but the dead remain, And not neglected; for a hand unseen, Scattering its bounty like a summer rain, Still keeps their graves and their remembrance green.
Oh, what a glory doth this world put on, for him who with a fervent heart goes forth under the bright and glorious sky, and looks on duties well performed, and days well spent.
How absolute and omnipotent is the silence of night! And yet the stillness seems almost audible! From all the measureless depths of air around us comes a half-sound, a half-whisper, as if we could hear the crumbling and falling away of earth and all created things, in the great miracle of nature, decay and reproduction, ever beginning, never ending,--the gradual lapse and running of the sand in the great hour-glass of Time.
Sculpture is more divine, and more like Nature, That fashions all her works in high relief, And that is Sculpture. This vast ball, the Earth, Was moulded out of clay, and baked in fire; Men, women, and all animals that breathe Are statues, and not paintings.
So Nature deals with us, and takes away Our playthings one by one, and by the hand Leads us to rest so gently, that we go, Scarce knowing if we wish to go or stay, Being too full of sleep to understand How far the unknown transcends the what we know.