More and more do I feel, as I advance in life, how little we really know of each other. Friendship seems to me like the touch of musical-glasses--it is only contact; but the glasses themselves, and their contents, remain quite distinct and unmingled.
As great Pythagoras of yore,
Standing beside the blacksmith's door,
And hearing the hammers, as they smote
The anvils with a different note,
Stole from the varying tones, that hung
Vibrant on every iron tongue,
The secret of the sounding wire.
And formed the seven-chorded lyre.
The little I have seen of the world teaches me to look upon the errors of others in sorrow, not in anger. When I take the history of one poor heart that has sinned and suffered, and represent to myself the struggles and temptations it has passed through, the brief pulsations of joy, the feverish inquietude of hope and fear, the pressure of want, the desertion of friends, I would fain leave the erring soul of my fellow-man with Him from whose hand it came.
See yonder fire! It is the moon slow rising o'er the eastern hill. It glimmers on the forest tips, and through the dewy foliage drips In little rivulets of light, and makes the heart in love with night.
Under the spreading chestnut tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. . . . He earns whate'er he can, And looks the whole world in the face, For he owes not any man. . . . Toiling,-rejoicing,-sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night's repose.