The day is cold, and dark, and dreary;
It rains, and the wind in never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.
The trees are white with dust, that o'er their sleep Wave their broad curtains in the south-wind's breath, While underneath such leafy tents they keep The long, mysterious Exodus of Death.
Doubtless criticism was originally benignant, pointing out the beauties of a work rather that its defects. The passions of men have made it malignant, as a bad heart of Procreates turned the bed, the symbol of repose, into an instrument of torture.
To-day, to-morrow, every day, to thousands the end of the world is close at hand. And why should we fear it? We walk here, as it were, in the crypts of life; at times, from the great cathedral above us, we can hear the organ and the chanting choir; we see the light stream through the open door, when some friend goes up before us; and shall we fear to mount the narrow staircase of the grave that leads us out of this uncertain twilight into life eternal?
Spake full well, in language quaint and olden, One who dwelleth by the castled Rhine, When he called the flowers, so blue and golden, Stars, that in earth's firmament do shine.
If spring came but once a century instead of once a year, or
burst forth with the sound of an earthquake and not in
silence, what wonder and expectation there would be
in all the hearts to behold the miraculous change.
The nimble lie
Is like the second-hand upon a clock;
We see it fly; while the hour-hand of truth
Seems to stand still, and yet it moves unseen,
And wins, at last, for the clock will not strike
Till it has reached the goal.
The life of woman is full of woe,
Toiling on and on and on,
With breaking heart, and tearful eyes,
The secret longings that arise,
Which this world never satisfies!
Some more, some less, but of the whole
Not one quite happy, no, not one!